Revelation 18:21 depicts a millstone thrown into the sea—immediately precedes the list of ceasing sounds in verse 22, part of the same judgment scene.

Revelation 18:23 continues the cessation list with light and bridegroom—directly follows and completes the catalog begun in verse 22.

Revelation 14:2 describes heavenly harpists—contrasts sharply with the total absence of harpers in Babylon's fallen silence.

Isaiah 24:8 describes the ceasing of the lyre and harp in judgment — a direct parallel to the silence of musicians in Babylon's fall.

Jeremiah 7:34 says God will cause the voice of mirth and gladness to cease from Judah's cities — echoing the same silencing of music in Babylon's destruction.

Jeremiah 16:9 similarly declares the end of bridegroom and bride's voice — a parallel to the cessation of all joyful sound in Babylon's fall.

Jeremiah 25:10 lists the same silenced sounds — millstones, joy, lamp — as judgment on Judah, echoed here for Babylon's fall.

Jeremiah 33:11 promises restored joy and wedding voices in a rebuilt Jerusalem — opposite to the permanent silence of Babylon here.

Ezekiel 26:13 describes the same silencing of harps and songs against Tyre, a typological judgment echoed for Babylon.

Jeremiah 51:55 describes Babylon's noise destroyed by the Lord—Revelation echoes this same judgment silencing Babylon's music and crafts.

Psalm 137:2 shows exiles hanging harps in Babylon — silence from grief; here Babylon itself is silenced. The same imagery of silenced harps.

Hosea 2:11 says God will cause all mirth and feasts to cease as judgment—directly parallels the cessation of joy in Revelation 18:22.

Isaiah 23:12 declares no more rejoicing for Sidon — a parallel to the cessation of joy and music in Babylon's judgment.

Isaiah 24:9 speaks of no wine with singing, bitterness replacing joy — similar cessation of festivity as in the judgment here.

Jeremiah 48:33 removes joy and gladness from Moab's fields — a parallel to the cessation of trade and music in Babylon's judgment.

Lamentations 5:14 mourns the cessation of elders and young men's music in Jerusalem's fall—parallel to the silencing of all joyful sound in Babylon's judgment.