In Isaiah 24:8, the same silencing of joyful music describes the earth's judgment — a broader parallel to Tyre's fate.

Jeremiah 7:34 uses the same divine judgment formula: God silences joy and bridegroom voices, making the land a ruin.

Jeremiah 16:9 repeats the same phrase: the Lord will silence mirth, gladness, and bridegroom/bride voices.

Jeremiah 25:10 extends the list: banishing mirth, gladness, bridegroom, bride, millstones, and lamp light.

Amos 6:4-7 condemns those who sing idle songs to the harp — their revelry ends in exile.

Revelation 18:22 echoes the silencing of harpists and musicians — judgment against Babylon mirrors Tyre's.

Revelation 18:23 adds the voice of bridegroom and bride ceasing — same language as Jeremiah/Ezekiel.

In Isaiah 14:11, the same imagery of silenced harps describes Babylon's fall — a parallel judgment motif.

Isaiah 23:16 ironically calls Tyre to sing again after being forgotten — contrasting with the end of music here.

Lamentations 5:14 describes Jerusalem's elders and music ceasing in judgment, mirroring the silencing of Tyre's songs here.

Hosea 2:11 speaks of ending all mirth, feasts, and festivals — a parallel judgment on celebrations.

Psalm 137:2 shows exiles hanging up lyres unable to sing — a human response to judgment's silence.