Revelation 14:3
And they sung as it were a new song before the throne, and before the four beasts, and the elders: and no man could learn that song but the hundred and forty and four thousand, which were redeemed from the earth.
Cross-reference
Revelation 4:2-11 describes the throne, living creatures, and elders that form the setting for the new song.
Revelation 7:4 identifies the 144,000 as the sealed from Israel — the same group singing this new song.
In Revelation 5:8, the elders and living creatures also sing a new song before the throne — the same worship setting as here.
Revelation 4:6 describes the four living creatures around the throne — same creatures are present when the new song is sung in Revelation 14:3.
Revelation 15:3 also describes a heavenly song—the song of Moses and the Lamb—offering a parallel but distinct worship scene.
In Revelation 2:17, the hidden manna and new name known only to the receiver parallels the new song only the 144,000 can learn — both emphasize exclusive knowledge for the faithful.
Hebrews 9:15 explains Christ's death as the basis for redemption and new covenant — the redeemed here are beneficiaries of that redemption.
Exodus 15:21 records Miriam leading the victory song after crossing the Red Sea — a type of the new song sung by the redeemed in Revelation 14:3 after spiritual deliverance.
Galatians 4:5 says Christ redeemed us to receive adoption — the redeemed here are those who have been redeemed from the earth.
Psalm 98:1 urges a new song for God's victory, prefiguring the victory song of the redeemed.
Matthew 11:25-27 describes hidden things revealed to the childlike — parallels the new song revealed only to the redeemed 144,000.
1 Corinthians 2:14 says spiritual things are not understood by the natural man — parallels the new song only learnable by the redeemed, not by others.
1 Corinthians 1:18 contrasts the cross as folly to the perishing but power to the saved — parallels the new song only learned by the redeemed.
Psalm 96:1 commands singing a new song to the Lord, a theme that finds fulfillment in the heavenly song.
Psalm 40:3 describes a new song of praise after deliverance, echoing the motif of a new song sung here.
Psalm 33:3 calls for a new song, the same phrase used here, connecting OT worship to the heavenly song.
Psalm 25:14 speaks of God revealing His covenant to those who fear Him — similar to the exclusive revelation of the new song to the 144,000.
Isaiah 42:10 commands a new song from the ends of the earth, anticipating the global scope of the song in Revelation.
Psalm 149:1 calls for a new song in the congregation, paralleling the exclusive new song here.
Psalm 144:9 promises a new song to God, matching the new song sung by the 144,000.