Deuteronomy 33:2 describes God coming from Seir and Sinai, matching the same theophanic imagery in Deborah's song.

2 Samuel 22:8 echoes the same earth-trembling theophany language in David's victory song, reinforcing God's warrior imagery.

Psalm 18:7-15 provides a fuller theophany with similar details—earthquake, storm, God's descent—as in Judges 5:4.

Psalm 68:7 recalls God marching before his people, similar to Deborah's depiction of God going out from Seir.

Psalm 68:8 says the earth quaked and heavens poured rain, directly paralleling the trembling earth and dropping clouds here.

Psalm 77:17 directly repeats 'clouds poured down water', linking God's stormy presence in both passages.

Habakkuk 3:3-6 portrays God coming from Teman and Paran with earthquake and rain, echoing Deborah's theophany.

Isaiah 64:1 prays for God to come down with trembling mountains, directly echoing the theophanic imagery of Judges 5:4.

Isaiah 64:3 recalls God's past coming with mountains trembling, reinforcing the same divine-warrior motif as Judges 5:4.

Jeremiah 4:24 shows mountains quaking in a vision of judgment, echoing the same theophanic trembling as God marches from Seir.

Habakkuk 3:10 has mountains writhing at God's presence, directly paralleling the earth trembling and mountains quaking in Judges.

Jeremiah 10:10 declares the earth trembles at God's anger, paralleling the trembling earth in Deborah's song when God marched.

Micah 1:4 describes mountains melting like wax before God, a different but related theophanic response to the trembling in Judges.