Psalm 80:8 describes God bringing the vine out of Egypt and planting it — the same vineyard referred to here as planted by God's right hand.

Psalm 80:17 repeats the same plea for the 'man of your right hand' — the son made strong, directly continuing the verse.

Jeremiah 23:5 prophesies a righteous Branch from David — directly connecting to the 'branch' in Psalm 80:15 as a messianic figure.

John 15:1 identifies Jesus as the true vine — the ultimate fulfillment of the vine planted by God in Psalm 80:15.

Mark 12:1 uses the vineyard parable, alluding to God's planting of Israel — the same metaphor as Psalm 80:15.

Jeremiah 2:21 echoes the planting of Israel as a choice vine, but adds the contrast of turning wild — a later development.

Isaiah 11:1 prophesies a branch from Jesse — the same 'branch' imagery used for the messianic king in Psalm 80:15.

Isaiah 5:2 details the careful planting of the vineyard — mirroring the 'planted' vine in Psalm 80:15.

Isaiah 5:1 opens the vineyard song — the same image of Israel as God's vineyard planted by his hand.

Jeremiah 11:17 states God planted Israel but now pronounces disaster — directly echoing the plea for restoration here.

Isaiah 5:7 explicitly calls Israel God's vineyard and pleasant planting, matching the vine metaphor in this lament.

Zechariah 3:8 introduces 'my servant the Branch' — a messianic figure paralleling the 'son' planted by God's right hand.

Zechariah 6:12 speaks of the Branch who will build the temple, reinforcing the image of a divinely planted ruler.

Ezekiel 17:22-24 uses the same planting imagery of a sprig becoming a noble cedar, echoing God's restoration of a chosen leader.

Isaiah 27:11 describes dry boughs of God's vineyard being burned — the same judgment lamented in Psalm 80.

Ezekiel 19:11 describes a vine with strong stems for rulers' scepters, paralleling the 'stock' planted by God.

Ezekiel 19:14 concludes the vine allegory with fire consuming its fruit — the same destruction lamented in Psalm 80.

John 15:6 describes branches burned for not abiding — a parallel to the vine imagery here.