In Song 1:4, the woman says 'draw me after you; let us run' — a parallel invitation to the 'come, let us go' in 7:11.

In Song 2:10-13, the man invites the woman to come away to springtime fields — mirroring her invitation in 7:11 to go out into the fields.

In Song 4:8, the man invites his bride to come from Lebanon — a parallel invitation to the woman's 'come, let us go' in 7:11.

In Song 2:13, the man says 'arise, my love, and come away' — directly parallel to the woman's invitation in 7:11.

In Song 8:13, the beloved responds to her invitation to the fields, asking to hear her voice — a reciprocal call in the garden setting.