The next verse continues the same poetic structure, comparing the beloved to a cluster of henna blossoms instead of myrrh.

Song of Solomon 4:6 also uses myrrh imagery—a mountain of myrrh, continuing the romantic fragrance theme.

In Song 5:5, myrrh reappears as liquid on the bride's hands — the same fragrant symbol of intimate closeness from 1:13.

In Song 5:13, the beloved's lips drip with liquid myrrh — echoing the sachet of myrrh from 1:13.

Song 3:6 also uses myrrh as a perfume, here in a grand wedding procession, echoing the intimate fragrance imagery.

Song 8:3 expresses desire for physical embrace — echoing the intimate placement of myrrh 'between my breasts' in 1:13.

Song 4:5 similarly describes the beloved's breasts with a different metaphor, linking back to the same body part.

Song 7:7 also compares the beloved's breasts to clusters of fruit, continuing the erotic imagery from 1:13.

Song of Solomon 4:14 includes myrrh among garden spices—same aromatic substance, but in a list of produce.